Showing posts with label movies. Show all posts
Showing posts with label movies. Show all posts

Monday, September 29, 2008

Fun Loving Criminals: Mad, Bad and Delicious to Know!



Bad Boys, Bad Boys, what you gonna do? What you gonna do when they come for you?

(Well, if you don’t know by now, I’m sure there’s a few good books on this site with suggestions..)

In coming up with the characters for Southern Spirits, specifically the two bad guys – the charismatic con man Jack Wheeler and the laconic, possessive gangster Mickey Whisper – I started looking for inspiration in the bad guys I’d read and watched, the ones that got me and others hot, and why it was so.

I mean, we all know that in just about every good story, the villain is more interesting than the hero, more interesting to watch, to read about, and certainly to write about (and any attempt to make the hero more interesting usually involved imbuing his background or character with dark elements). After all, to look clever and paraphrase Tolstoy, good guys are all alike; every bad guy is bad in his own way (which sounds much better than anything Chekov ever came up with, except in those episodes with the Klingons).

But of course for Lust Biters, being an interesting villain isn’t enough. I mean, Darth Vader may top every fanboy’s Villains List, but in terms of sex appeal, a wheezy guy who takes longer to undress than you, and ends up looking like a skinless chicken constantly distracted by disturbances in the Force, can stay a long time ago in a galaxy far, far away.


No, we want sexy villains, clit-throbbingly sexy bastards whom we’d bed as much as the heroes, if not more so! The guys you’d root for over the bland heroes - and whom you’d want to get a good rooting from. The guys with the black hats, the minions, the schemes and soliloquies about their ambitions, not like those good guys who were so squeaky clean they’d slip on sandpaper.

Let’s face it, the best men are often the worst ones!


But why is it so? In Olivia Knight’s excellent Crush Wednesday post a few weeks back, she put it best when she wrote, “It’s [explaining the appeal of wet men] like explaining the appeal of breasts to.. who doesn’t get breasts?” Well, I feel the same way about Sexy Bad Guys. But, just as Olivia valiantly strove to give us examples and possible reasons, I will endeavour to do the same.

As my list of Sexy Bad Guys, the Best in Show as well as in the sack, grew, I began putting them together in groups, until it became a sort of Villains Periodic Table, with common characteristics running through all of them.


One primary element they had was Charm, with a Capital Ch. Suave, debonair, classy, these are men whose idea of a night out with a lady doesn’t include lagers at the pub, a kebab and a fumble in the taxi. No, these men prefer Paris, a bottle of Dom Perignon ’53 (or the ’71, if one must slum it), and a Tiffany’s necklace to keep you warm as he slips you out of your gown and takes you from behind on the balcony of the penthouse suite.

These are the gentlemen Rogues: Raffles the thief (as played by the likes of Ronald Coleman and David Niven), James Mason’s highwayman in The Wicked Lady, Stewart Granger’s smuggler in Moonfleet, Steve McQueen’s (and Pierce Brosnan’s) millionaire crook in the Thomas Crown Affair, and Cary Grant’s retired cat burglar in To Catch a Thief.

These are men who keep one foot in polite society (who turn a blind eye to their activities) and the other on the ledge outside your bedroom window, men who would wine you, dine you and sixty-nine you – and leaving you not caring when you later find out they’d made off with your furs and jewellery.


Though most of these men seem consigned to the classic films, one modern example who made my mouth water was Rene Belloq, the amoral French archaeologist from Raiders of the Lost Ark, willing to work with the Nazis to achieve his goals (boo hiss!) but still a gentleman, saving Indy’s girlfriend Marion – for himself. Of course, that didn’t stop him from watching via a mirror as she undressed, or leaving her tied up as he plied her with food and wine. Just thinking about an imaginary deleted scene to that, where things went further between them, warms the cockles of my, er, heart.


Another property that popped up was Authority, men who commanded men, leaders so confident that they didn’t have to look twice to see if orders were being followed, who operated as if concepts of good and evil were for lesser men – and you believed them. From Yul Brynner’s roles as Ramses and The King of Siam (oh, those moody glowers and that rich, moistening baritone voice of his!), to Arnold Vosloo's powerful, charismatic priest in the first two Mummy movies, to Max Von Sydow’s strutting his cosmic stuff as Ming the Merciless, all intergalactic decadence and ermine finery. Hmm, all bald characters. Something in there?


Apparently not, because my all-time favourite in this category is Alan Rickman’s Sheriff of Nottingham in Robin Hood Prince of Thieves. More cunning than a serpent, more ruthless than a dog with a pork chop, he looked hot, sounded hot, and did more for me than the fabulously average Kevin Costner could in this or any other of his movies. I wasn’t the only one in the cinema cheering him on as he forcibly married Maid Marian and tried to consummate the union before the hero broke through the door. He burned out the villagers, cancelled Christmas and tortured the stunningly annoying Christian Slater. Gorgeous, amoral – what’s not to lust after?


Another quality that came to light was Ruthlessness. These were not small-time crooks selling bootleg DVDs down your local, but big men with bigger ambitions, larger than life bad boys. Notable examples included Rickman’s breakout role as Hans Gruber in Die Hard, effortlessly masterful and cool, with a sharp sense of humour and sharper clothes; James Mason as Captain Nemo, dapper and lethal, who’ll take you places (whether you want to go or not) in style under the sea; Doctor Who’s nemesis The Master, one of many Nehru jacket-clad villains in this article, with a barely-concealed love of tying up the Doctor’s female companions; Schizoid Batman villain Two-Face (especially played as he was by the deeply delicious Tommy Lee Jones), if you kept on the right side of him. Literally. And if you didn’t mind threesomes, even if there was just the two of you in bed.

Oh, and pretty much any of the earlier Bond villains, so long as they come with a secret lair. They’ll shower you with gifts (these bad guys are always generous, albeit on their own terms), have his outlandish henchmen crush that asshole who cut you off in traffic that morning, and make sure you have the best suite in his volcano lair. Just don’t get caught swapping bodily fluids with any British secret agents, or you’ll end up feeding his exotic pets in a way you’d rather not.


But the Mack Daddy of this class of villain is Lex Luthor (another baldie!), a man of humble origins, whose self-styled reputation as the greatest criminal mastermind since Moriarty appeared well-justified, and lacking superpowers of his own, he nevertheless manages to repeatedly put the bitch slap on the Boy Scout from Krypton and nearly taking over the world. And Lois keeps getting captured by him, again and again. Don’t tell me she didn’t do it on purpose; she may not have been able to tell that Clark Kent was Superman, but she was no dummy. Sure, inevitably she went home with the deeply caring, deeply vanilla Superman – but later, while he was out rescuing kittens from trees, she had some Personal Time in bed recalling what Luthor had done to her while she was tied up in his hideout, waiting to be “rescued”.


At the extreme end of the spectrum are the Beasts, more hands-on characters like Hannibal Lector, Christian Bale’s American Psycho, and TV’s sardonic serial killing hero Dexter. Absolute madmen who have married high intelligence and charisma with a lethal ferocity and a twisted code of honour and chivalry. They could kill without batting an eyelash, and literally have you for dinner if you crossed them. But you wouldn’t, because you’d be the Beauty to these Beasts, possessed and possessor. Preferring the quiet life, they tend to lack the immense wealth and ambition of the others on this list – but they're like your own human Roittweiler. And they do tend to clean up after themselves…

So why do we pant after them? The thrills? The fear? The free goodies?

Maybe it’s because all these men who walk on the dark side can have anyone they desired – so, if they desire you, you can’t help but get an ego boost. So long as you don’t do the stupid thing and blurt out that you want them just as much as they want you. Attainability is the kiss of death for these guys – in some cases, quite literally. So by all means, resist all the way, so they can chain you up to have their wicked way with you – and free you from any responsibility.

So 'fess up girls, which bad guy do you want to tie you down and ravish you? Who do you want to be hanging at the side of while he threatens the hero? Whose lair do you want to mark as your own?

Hurry, before the hero shows up and spoils your good time!

Monday, September 22, 2008

Scenes We Love ~ No. 1

by Janine Ashbless



You wanted a surprise? Well it's not a secret that I don't like kissing. But when I came to pick my favourite movie clip for Lust Bites I just had to pick the kiss above from The Whole Wide World.

The film is based upon the real-life relationship between Novalyne Price Ellis (played by Renee Zellweger), a school-teacher and aspiring writer, and Robert E. Howard (played by Vincent D'Onofrio) an established writer for pulp fiction magazines, in the '30s. Yes, that Robert E Howard: the one who wrote the Conan books. (Don't knock him just because he was a genre writer!) Why's it so hot? Because it's one of the very few Hollywood movies that convincingly sees yearning lust from the point of view of the woman. Novalyne is the desirer, not the desiree. She is politely but desperately gagging for the handsome, brilliant, but alarmingly difficult Bob. But he has serious issues, to put it mildly. And this kiss is the closest she gets to turning friendship into the love she wants.

I just love the sense of aching frustration and tragically thwarted passion in this film. It's a real tear-jerker. And this kiss makes my stomach do that funny crampy pain thing. Every time.

Tuesday, May 6, 2008

Nim's Island: movie review

by Janine Ashbless

Ever hear the one about the reclusive female author living a life of vicarious adventure through a fictional hero who looks exactly like Gerard Butler? No, they haven’t made a film of my life (although if they did I’d be honoured to be played by Jodie Foster): this is Nim’s Island, a movie for kids. And writers.


Plot: Nim is a pre-teen living an idyllic but isolated life with her scientist father Jack (Butler) and her animal friends on a Pacific island. Everything Nim knows about the world comes from books, and her great hero is the adventurer/writer Alex Rover. Jack goes off to collect protozoa from a reef and becomes lost at sea. Nim, left alone except for her sea lion and frigate bird and lizard, contacts Alex Rover via e-mail and asks him to come and help. What she doesn’t know is that Alex isn’t a macho explorer but an agoraphobic forty-something writer (Foster) who hasn’t left her apartment in 16 weeks, dances to Youtube videos and is scared to fetch the mail.

Alex is goaded by her animus/alter ego/imaginary self (also played by Gerard Butler!) and despite her neuroses sets off to the rescue. So the film splits into 3 segments: Jack trying to keep afloat on a damaged boat in shark-infested waters, hapless Alex (plus imaginary friend) making her journey, and Nim fending off an invasion of fat Australian tourists from the secret island.

This is by no means a serious film; it has a broad streak of silliness and the sort of super-intelligent animal friends that gave Skippy a bad name. But the jokes about writers and their eccentricities are rather good, and the two adult leads look lovely, and the fantasy juxtapositions are clever. This is the sort of feel-good, innocent childrens’ adventure you thought they didn’t make any more.

And if neither Jodie Foster nor Gerard Butler flailing about in a wet shirt does it for you, there’s another reason you should take your small female relatives to see this. Nim’s Island is a Hollywood rarity: an aspirational movie for girls, that treats them as capable imaginative individuals rather than as shrieking fashion-obsessed herd animals. What took them so long?

xxx
Janine


Wednesday, April 23, 2008

Crush Wednesday: Bollywood Men

by Janine Ashbless


There are some things you shouldn’t admit to liking if you want people to take you seriously: Porn – D&D - Musicals – Comics – SF- Bollywood films.

Oops.

I suffered a lightning conversion to Bollywood while on holiday in India. The tour guide suggested we all go to the cinema. "But it’ll be in Hindi!" we said. "It doesn’t matter," he told us: "enough of the dialogue will be in English. The plots are easy to follow anyway." So we went and saw a romcom whose name escapes me. Then a few days later in Delhi we went and watched Bluffmaster. Abhishek Bachchan! Phwoar!! I haven’t looked back – though I have to admit watching them with the subtitles on really does help.

So if you’ve never tried watching Indian movies, or your memory is of dodgy 70s moustaches and ferocious overacting, let me persuade you to take a look. Now, Bollywood has an enormously fast turnout of films – hundreds and hundreds per year – but stick to big-budget, big-name films which have been well-reviewed and you won’t be disappointed. "Masala" films are entertaining - and sexy!

Indian films, like any art form, have their own structure and rules. Here’s a Gori guide to some of them:




1) The films are very long – normally 3 hours. Much like Shakespeare’s plays, they are intended for a mass audience and will have something to please everyone including the cheap seats. There will be spectacular musical/dance numbers. There will probably be an undignified slapstick scene.


  • 2) The actresses (unless they are playing a mother or a comedy role) are jawdroppingly, astonishingly beautiful. The men on the whole, alas, are not. (But don’t worry! – wait for my gallery of heroes below.)

  • 3) Not matter how light and fluffy the first half of the film is, there is no guarantee that the hero (or heroine, or both) will not be dead by the end of the closing credits. Emotional drama, particularly willing sacrifice, is an important ingredient.

  • 4) The cinematography will be great.

  • 5) Just as American film/TV obsesses about the father-son relationship, Bollywood obsesses about the mother-son relationship. Mothers are always saintly.

6) The singing will be dubbed. Male singers sound normal to Western ears, female ones sound like they are pinching their noses. You just have to get used to it.

7) Not matter how revealing the clothes and steamy the looks or the dancing, no one will kiss. (Except in Dhoom 2, and it got taken to court for obscenity!)


8) Love don’t come free. Romantic love is treated as the most wonderful, overwhelming experience – with the potential to tear lives and families apart. Win or lose, you will suffer for love.


9)If the heroine is wearing a spectacular white dress and receiving a ring that’s not the wedding, it’s the engagement party. Brides wear traditional red clothes for weddings.

10) Yes, you probably have come across this plot elsewhere. Bollywood has a longstanding tradition of sticking 2 fingers up to the concept of intellectual copyright, so you may suffer from odd feelings of deja-vu. Jism (I kid you not!) is a rewrite of Body Heat. Zinda is Oldboy. And so on.


So who are the men worth watching? My personal favourites are…

Shah Rukh Khan. He’s in hundreds of films. An absolute superstar, nicknamed "King Khan". Very likeable screen persona. SRK usually plays a nice-guy hero, dances well and is very good at the teary tragic bits. For Om Shanti Om he buffed up to glorious effect. See him in: Asoka; Dil Se; Devdas; Veer-Zaara.

Amitabh Bachchan. Semi-divine superstar of the previous acting generation: think Sean Connery but much more popular. Dignified charisma personified. Nicknamed the "Big B". See him in – well, just about everything, as the hero’s or heroine's father; Kabhi Kushie Kabhie Gham; Aetbaar.

Abhishek Bachchan. Son of Amitabh above right. Think he looks a bit rough? He’s tall, strongly built and oozes a gruff masculine charisma. Not the best-looking hero, but probably the sexiest. Plays loners, tough guy heroes. See him in Dhoom & Dhoom 2; Bluffmaster.

  1. John Abraham. Male supermodel. Body of a god. What can I say? (Apart from "Gimme now!") Usually plays villains and badboys. See him in Aetbaar (my review here); Dhoom; Jism.

Hrithik Roshan. Muscles and unusual looks (including green eyes and an extra thumb). See him in Dhoom 2 where he plays a master of disguise and stars in the most knicker-wetting basketball scene ever written.

Arjun Rampal. I’ve only seen him in one film – Om Shanti Omwhere he played the villain. And I’d let him tie me down and have his evil way any day! Another supermodel turned actor.

And if you want another set of opinions (and …. ooh ….photos) take a look at the India Times Top 10 Men.



If you’ve never seen a Bollywood film I suggest the following as a good place to start. They’re easy to find on Amazon and they all have at least one yummy hero (and many lovely women).


1) Bluffmaster: modern setting: witty, twisty comic romantic tale about a con-artist. Reminiscent of the TV series "Hustle".


2) Rang De Basanti: one of my favourite films ever. Political drama. Modern setting but with flashbacks to the Raj; about a bunch of layabout students who get involved in making a film with an English girl. Great music. It’s a fabulous movie but the end made me cry. (Frenetic trailer here)


3) Dhoom 2: Crime/chase caper with motorcycles and exploding helicopters and stuff. Two sexy heroes (Abhishek as the cop in pursuit of Hrithik the criminal) for the price of one! Also stars the worst shirts ever worn by man.


4) Veer-Zaara : Romance. SRK is in prison for a crime he did not commit, to safeguard his true love. Brave ‘n’ beautiful female lawyer hears his story and fights to win his freedom. Glorious cinematography.


5) Dil Se: Tragic romance. Boy meets girl, boy loses girl, girl turns out to be suicide-bomber… Scenery so beautiful it will take your breath away. Has a very famous dance sequence set on the top of a moving steam-train.


6) Lagaan: Historic Raj setting. Sports drama about a grudge cricket match between Indian villagers and the local British regiment.


7) Asoka: Ancient historic setting. The (romanticised) tale of the rise of Asoka - first Emperor of India - who subjected the surrounding kingdoms to bloody conquest before renouncing violence, converting to Buddhism, and instituting one of the oldest and most humane systems of law in the ancient world. Swords ‘n’ saris!


But I regret to tell you that although the movie Jism does star John Abraham, it’s not nearly as rude as it sounds!

xxx
Janine Ashbless
My website : My updated linktastic Blog which now comes to you in glorious GREEN


P.S. All the films and actors mentioned above have their own individual Wikipedia entries if you want to know more.
Any questions? (I don’t promise I can answer them!) Or am I preaching to the choir?

Tuesday, January 29, 2008

Sweeney Todd

by Janine Ashbless

You might have thought that a musical about a 19th Century serial-killer could not be sufficiently sexy to warrant a mention in Lust Bites. But hold on; Sweeney Todd: the Demon Barber of Fleet Street is a movie that stars Johnny Depp and Alan Rickman! It's based on a stage musical by Stephen Sondheim! It's directed by Tim Burton! Honestly, I'm coming right now.


Okay, so Sondheim's work tends to be at the highbrow end of musical theatre, but Sweeney Todd is definitely one of his more accessible pieces. Welcome to filthy, dark, vicious London...

There's a hole in the world like a great black pit,
And it's filled with people who are filled with shit,
And the vermin of the world inhabit it...

Depp plays the eponymous barber who was Transported for Life on a trumped-up charge so that the evil Judge Turpin could have his wicked way with the innocent barber's wife. (The rape scene is implied, not depicted.) He sneaks back to London under a false name and sets out to revenge himself on those who destroyed his family. But so twisted is he by despair and pain that this soon turns into a quest to eliminate the entire male population ... one by one.

They all deserve to die
Tell you why, Mrs. Lovett, tell you why
Because in all of the whole human race Mrs. Lovett,
There are two kinds of men and only two:
There's the one staying put in his proper place
And one with his foot in the other one's face.
Look at me, Mrs Lovett! Look at you!
No, we all deserve to die.
Even you, Mrs Lovett!
Even I!

This is Edward Scissorhands Gone Bad.

Having cut his victims' throats in the barber chair, Sweeney and Mrs Lovett dispose of the bodies by baking them into pies for her shop. Mrs Lovett's wares go from being the Worst Pies in London (cockroach seems to be a significant ingredient) to an overnight culinary sensation (allowing us vegetarians to smirk smugly). But Sweeney's thirst for vengeance is so strong he's even prepared to sacrifice his surviving daughter, and finally it destroys him.


This is of course a gleefully grisly film - though nothing like as grotesque as I was expecting from various snippets of pre-release footage. There are plenty of (not particularly realistic) throat-cutting scenes in the second half of the film, but audience sympathy is pinned firmly to the damaged, broken-hearted Sweeney.

Complaints? Only that the Chorus from the stage version of the musical has been eliminated, so there is a slight feeling of Things Missing if you know the original version - and the most memorable song has gone altogether. You'll just have to put up with me singing it from memory:

Attend the tale of Sweeney Todd:
He served a dark and awful God.
So what if none of their souls were saved? –
They went to their Maker impeccably shaved.

xxx

Janine Ashbless


Thursday, March 22, 2007

300


By Janine Ashbless

“Then the gods did say unto Janine Ashbless, Mortal often hast thou questioned the reason for thy existence, and now we shall give thee the answer. Rejoice, for there shall be a movie made in the very image of a Frank Miller graphic novel.

And Janine Ashbless did say, Oh cool. I shall watch it.

Then the gods did say, And that movie shall be called 300, for it shall be about the heroic Spartan stand against the mighty Persian army at Thermopylae. And lo, there will be much bloody swordplay.

And Janine Ashbless did say, Oh, Yeah!!

Then the gods did say, And King Leonidas shall be played by Gerard Butler – whom we shall afflict with an horrid beard, for fear that otherwise thou might drop dead on the spot for pleasure. As it is thou shalt have to be peeled off thy cinema seat and thy limp body carried from thence by two strong men*.

But Janine Ashbless said nothing, for the blood had run from her brain and she was no longer capable of human speech.

All these things came to pass and Lo: it was very good.”


300 : It’s violent. It’s stylised. It reeks of testosterone. It has 300 buff men wearing nothing but leather codpieces. It has GB and Dave Wenham and more sculpted abs than a gay gym. Finally - proof that this is a benevolent universe after all.

xxx
Janine ‘Practically Snuff’ Ashbless

* It takes two men because they both have crap knees, not because I’m lardy. Honest.

Wednesday, January 17, 2007

Sexy Cinema (or Sex in Cinemas)

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